Félix González-Torres

La tuvo: Acquired directly from the artist by the present owner

Expuesta: London, Royal College of Art, Felix Gonzalez-Torres , June 1–July 16, 2000, p. 83 (another example exhibited) Shanghai, Rockbund Art Museum, Felix Gonzalez-Torres , September 30–December 25, 2016, n.p. (another example exhibited) Washington, D.C., National Portrait Gallery and Archives of American Art, Felix Gonzalez-Torres: Always to Return , October 18, 2024–July 5, 2025 (another example exhibited)

La tuvo: Andrea Rosen Gallery, New York Acquired from the above by the present owner

Expuesta: Brussels, Galerie Xavier Hufkens, Felix Gonzalez-Torres, Michael Jenkins , March 20– April 20, 1991 (another example exhibited) Glens Falls, The Hyde Collection, Just what is it that makes today's homes so different, so appealing? , September 7–November 17, 1991, pp. 13, 20 (another example exhibited) Tokyo, Wacoal Art Center of Spiral Garden, Three or More- Multiplied art from Duchamp to the present , October 1–24, 1992, p. 82 (another example exhibited and illustrated) Glasgow, Tramway, Read My Lips: New York AIDS Polemics , October 26–December 1, 1992 (another example exhibited) New York, Fischbach Gallery, Absence, Activism and the Body Politic , June 9–25, 1994 (another example exhibited) Washington D.C., Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, Felix Gonzalez-Torres: Traveling , June 16–September 11, 1994 (another example exhibited) New York, The Solomon R. Guggenheim Museum, Felix Gonzalez-Torres (pp. 183, 221; another example exhibited and illustrated, p. 182); then traveled as, Santiago de Compostela, Centro Gallego de Arte Contemporánea, Felix Gonzalez-Torres (A Possible Landscape) ; then traveled as, Paris, Musée d’art moderne de la Ville de Paris, Felix Gonzalez-Torres (Girlfriend in a Coma) (pp. 183, 222; another example exhibited and illustrated, p. 182), May 10, 1995–June 16, 1996 Miami Art Museum, Dream Collection Gifts and just a few Hidden Desires...part one , October 29, 1996–April 27, 1997 (another example exhibited) New York, Greene Naftali Gallery, Broken Home , May 3–June 7, 1997 (another example exhibited) Hannover, Sprengel Museum; Kunstverein St. Gallen; Vienna, Museum Moderner Kunst Stiftung Ludwig Wien, Felix Gonzalez-Torres , June 1, 1997–November 1, 1998, no. 118, vol. I, pp. 40, 56-57; vol. II, p. 163 (another example exhibited and illustrated, vol. II, p. 69) Barcelona, Fundació Joan Miró, Lux/Lumen , June 19–September 7, 1997, pp. 11, 35, 55, 59, 70, 78, 85, 93 (another example exhibited; installation view illustrated, p. 34) Harrisburg, Susquehanna Art Museum, I'm Not Here: Constructing Identity at the Turn of the Century , December 2, 1999–February 24, 2000 (another example exhibited) St. Gallen, Sammlung Hauser und Wirth, The Oldest Possible Memory , May 14–October 15, 2000, p. 84 (another example exhibited and illustrated, p. 81) Albuquerque, National Hispanic Cultural Center of New Mexico, La Luz: Contemporary Latino Art in the United States , October 21, 2000–May 27, 2001, n.p. (another example exhibited and illustrated on the cover) Avignon, Collection Lambert Musée d’art contemporain, Coollustre , May 24–September 28, 2003, p. 186 (another example exhibited and illustrated, p. 187) Paris, Jeu de Paume, éblouissement , June 24–September 12, 2004, p. 93 (another example exhibited and illustrated) New York, Lehmann Maupin, L'Art de Vivre , April 15–May 14, 2005 (another example exhibited) Waltham, The Rose Art Museum, Brandeis University, Broken Home: 1997/2007 , January 23–April 13, 2008 (another example exhibited) Kansas City, The Nelson-Atkins Museum of Art, Sparks! The William T. Kemper Collecting Initiative , May 3–July 20, 2008, pp. 54-55, 80 (another example exhibited and illustrated, pp. 7, 81) Clermont-Ferrand, L’Espace d’Art Contemporain La Tôlerie, La Foule (Zéro – Infini): Chapitre 1 (unite – dualité – la meute – la masse) , May 6–July 15, 2008 (another example exhibited) Paris, Passage du Retz, Insomniac Promenades: Dreaming/Sleeping in Contemporary Art ; then traveled as, Petach Tikva Museum of Art, Insomnia , July 11, 2008–March 7, 2009, pp. 57, 83 (illustrated, p. 23) Clermont-Ferrand, L’Espace d’Art Contemporain, La Foule (Zéro – Infini): Chapitre 2 (chaos – contrôle) , October 10–November 30, 2008 (another example exhibited) Brussels, Wiels Contemporary Art Centre; Basel, Fondation Beyeler; Frankfurt, MMK Museum für Moderne Kunst, Felix Gonzalez-Torres: Specific Objects without Specific Form , January 16, 2010–April 25, 2011, p. 651 (another example exhibited and illustrated, pp. 536-539; Wiels Contemporary Art Centre, Basel, installation view illustrated, p. 61; Fondation Beyeler, Basel, installation view illustrated, p. 123; MMK Museum für Moderne Kunst, Frankfurt, installation view illustrated, pp. 251, 377) Miami Art Museum, Between Here and There: Modern and Contemporary Art from the Permanent Collection , February 27, 2010–April 30, 2013 (another example exhibited) Mexico City, Museo Universitario Arte Contemporáneo, Felix Gonzalez-Torres: Somewhere/Nowhere , February 27–May 23, 2010, no. 16, pp. 21, 91 (another example exhibited and illustrated, p. 64) The Art Institute of Chicago, Contemporary Collecting: The Judith Neisser Collection , February 13– May 22, 2011, pp. 58, 156 (another example exhibited and illustrated, p. 59) New York, Pace Gallery, Burning, Bright: A Short History of the Lightbulb , October 28–November 26, 2011 (another example exhibited) Paris, La Galerie des Galeries, In a Sentimental Mood , May 28–August 24, 2013, pp. 9, 14-15, 25, 31 (another example exhibited and illustrated, p. 8) Museum für Gegenwartskunst Basel; Lisbon, Culturgest, Tell it to My Heart: Collected by Julie Ault ; then traveled as, New York, Artists Space, Macho Man, Tell it to My Heart: Collected by Julie Ault , February 2, 2013–February 23, 2014, vol. I, p. 55; vol. II, p. 115 (another example exhibited and illustrated, vol. II, p. 33) Museum of Contemporary Art Cleveland, DIRGE: Reflections on [Life and] Death , March 7–June 8, 2014, p. 19 (another example exhibited and illustrated, p. 18) Centre Pompidou-Metz, 1984 -1999. La Décennie , May 24, 2014–March 2, 2015 (another example exhibited) London, Phillips, A Very Brief History of Contemporary Sculpture , October 6–31, 2014, n.p. (another example exhibited and illustrated) Los Angeles, The Museum of Contemporary Art, Tongues Untied , June 6–September 13, 2015 (another example exhibited) Avignon, Collection Lambert Musée d’art contemporain, Patrice Chéreau, un musée imaginaire , July 11–October 19, 2015, p. 369 (another example exhibited and illustrated, p. 164) Dublin, Irish Museum of Modern Art, What We Call Love - From Surrealism to Now , September 12, 2015–February 7, 2016, pp. 9, 61, 101 (another example exhibited and illustrated, p. 60) Modena, Manifattura Tabacchi, The Mannequin of History: Art after Fabrications of Critique and Culture , September 18, 2015–January 31, 2016, no. 45, pp. 74, 333 (another example exhibited and illustrated, n.p.) Ann Arbor, University of Michigan Museum of Art, Permanent Collection Installation , September 22, 2015–2020 (another example exhibited) Tate Liverpool; Frankfurt, MMK Museum für Moderne Kunst; Centre Pompidou-Metz, An Imagined Museum: Works from the Centre Pompidou, the Tate and the MMK Museum für Moderne Kunst , November 20, 2015–March 27, 2017 (another example exhibited) Paris, Passage de Retz, Représenter l'Irreprésentable? , December 5, 2015–January 15, 2016 (another example exhibited) London, Hauser & Wirth; New York, Andrea Rosen Gallery; Milan, Massimo De Carlo, Felix Gonzalez-Torres , May 27–July 30, 2016 (another example exhibited) Reading Prison, Inside: Artists and Writers in Reading Prison , September 4–December 4, 2016, pp. 18, 166, 177 (another example exhibited and illustrated, p. 167) Cleveland Museum of Art, Permanent Collection Installation , February 2017–2021 (another example exhibited) North Adams, Massachusetts Museum of Contemporary Art, The Half-Life of Love , May 6, 2017–March 25, 2018 (another example exhibited) Geneva, Musée d’art moderne et contemporain, Cady Noland, Laurie Parsons, and Felix Gonzalez-Torres , May 31–September 10, 2017 (another example exhibited) Los Angeles, Museum of Contemporary Art, Give and Take: Highlighting Recent Acquisitions , March 4–September 3, 2018 (another example exhibited) Milan, Massimo De Carlo, MCMXXXIV , March 8–July 13, 2019 (another example exhibited) Montpellier Contemporain, Intimate Distance. Masterpieces from the Ishikawa Collection , June 29–September 29, 2019, p. 98 (illustrated, p. 99) Hong Kong, David Zwirner, Singing the Body Electric , July 11–August 10, 2019 (another example exhibited) New York, Off Paradise, Maximilian Schubert: Doubles , February 27–July 20, 2020 (another example exhibited) Ann Arbor, University of Michigan Museum of Art, Oh, Honey...A Queer Reading of UMMA’S Collection , August 21, 2021–ongoing (another example exhibited) Sint-Martens-Latem, Museum Dhondt-Dhaenens, Blindsight – Manon de Boer in dialogue with Latifa Laâbissi and Laszlo Umbreit, February 13–May 22, 2022 (another example exhibited) Kyoto, Hongwanji Dendoin, Flowers of Time , November 10–20, 2022 (another example exhibited)

La tuvo: Acquired directly from the artist by the present owner

Expuesta: Brussels, Galerie Rodolphe Janssen, Tableau de la Vie Moderne , June 6–July 27, 1996 (another example exhibited) New York, Whitney Museum of American Art, As Time Goes By: History, Memory, and Sentimentality , June 6–August 20, 1997, pp. 5, 26 (another example exhibited and illustrated, p. 5) New York, Fisher Landau Center for Art, Shared Vision: Photographs from the Collection of Emily Fisher Landau and Anne E. and M. Anthony Fisher , October 31, 1998–November 15, 1999 (another example exhibited) New York, Fisher Landau Center for Art, Paper , May 19, 2007–January 14, 2008 (another example exhibited) New York, Fisher Landau Center for Art, Five Decades of Passion Part Two: The Founding of the Center, 1989-1991 , November 15, 2009–March 29, 2010 (another example exhibited) New York, Whitney Museum of American Art; San Jose Museum of Art; Legacy: The Emily Landau Collection , February 10, 2011–September 14, 2014, pp. 100–101, 319, 378 (another example exhibited and illustrated, pp. 101, 319) New York, Fisher Landau Center for Art, Legacy: Selections from Emily Fisher Landau's Gift to The Whitney Museum of American Art , June 12–October 9, 2011 (another example exhibited)

La tuvo: Hauser & Wirth Acquired from the above by the present owner

Expuesta: Berlin, Neue Gesellschaft für Bildende Kunst, Übers Sofa – Auf die Straße! Kunst und schwule Kultur im Aids-Zeitalter – Vier Künstler aus New York: David Wojnarowicz, Donald Moffett, Felix Gonzalez-Torres, John Lindell , February 24–March 30, 1990 (another example exhibited) New York, Fisher Landau Center for Art, Articulations: Forms of Language in Contemporary Art , May 13–June 30, 1995, p. 28 (another example exhibited) Stamford, Whitney Museum of American Art at Champion, As Time Goes By: History, Memory, and Sentimentality , June 6–August 20, 1997, p. 26 (another example exhibited) New York, Fisher Landau Center for Art, Shared Vision: Photographs from the Collection of Emily Fisher Landau and Anne E. and M. Anthony Fisher , October 31, 1998–November 15, 1999 (another example exhibited) San Francisco, Logan Galleries, California College of Arts and Crafts, To Whom It May Concern , September 5–October 26, 2002 (another example exhibited) Altkirch, Centre Rhénan d'Art Contemporain Alsace (CRAC); Vigo, Museo de Arte Contemporánea (MARCO); Bangkok, TADU Contemporary Arts Center; Bangkok, PSG Art Gallery; Bangkok, 100 Tonson Gallery; Hasselt, Kunstencentrum Z33; Utrecht, Centraal Museum, Le Temps Suspendu [The Suspended Moment]: H & F Collection , June 15, 2005–October 28, 2007, p. 25 (another example exhibited and illustrated, pp. 26–28) Berlin, Hamburger Bahnhof, Museum für Gegenwart, Felix Gonzalez-Torres , October 1, 2006–January 9, 2007, pp. 39, 209 (another example exhibited and illustrated, p. 39) New York, Fisher Landau Center for Art, Paper , May 19, 2007–January 14, 2008 (another example exhibited) Barcelona, Fundación Foto Colectania; Centro Cultural Bancaja de Alicante, Las partes y el todo: Colección H+F , October 29, 2007–September 28, 2008, pp. 113, 115 (another example exhibited and illustrated, pp. 92–92) Buenos Aires, Museo de Arte Latinoamericano de Buenos Aires (MALBA) - Colección Constantini, Felix Gonzalez-Torres: Somewhere/Nowhere , September 5–November 3, 2008, pp. 51, 92 (another example exhibited and illustrated, p. 50) New York, Fisher Landau Center for Art, Five Decades of Passion Part Two: The Founding of the Center, 1989–1991 , November 5, 2009–March 29, 2010 (another example exhibited) Lille, Espace Le Carré, Pilot Light , February 4–March 21, 2010 (another example exhibited) New York, The Whitney Museum of American Art, Legacy: The Emily Fisher Landau Collection , February 10–May 1, 2011, pp. 100, 319 (another example exhibited and illustrated, p. 101) New York, Fisher Landau Center for Art, Legacy: Selections from Emily Fisher Landau’s Gift to The Whitney Museum of American Art , June 12–October 9, 2011 (another example exhibited) San Jose Museum of Art, Legacy: The Emily Fisher Landau Collection , June 5–September 14, 2014 (another example exhibited) New York, The Whitney Museum of American Art, America is Hard to See , May 1–September 27, 2015 (another example exhibited) Shanghai, Rockbund Art Museum, Felix Gonzalez-Torres , September 30–December 25, 2016, n.p. (another example exhibited) Montpellier Contemporain, Intimate Distance , June 29–September 30, 2019, pp. 96, 170 (another example exhibited and illustrated, p. 97)

La tuvo: BB serigrafi, Copenhagen Galleri Bo Bjerggaard, Copenhagen Acquired from the above by the present owner

La tuvo: Andrea Rosen Gallery, New York Acquired from the above by the present owner in October 1991

Expuesta: Brussels, Galerie Xavier Hufkens, Felix Gonzalez-Torres, Michael Jenkins, March - April 1991 (another example exhibited) Glens Falls, The Hyde Collection, Just what is it that makes today’s home so different, so appealing?, 8 September - 17 November 1991 (another example exhibited) Tokyo, Wacoal Art Center of Spiral Garden, Three or More: A Multiple Exhibition, 1 October - 24 October 1992, p. 82 (another example exhibited and illustrated) Glasgow, Tramway, Read My Lips: New York AIDS Polemics, 26 October - 1 December 1992 (another example exhibited) Washington, D.C., The Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution; Los Angeles, Museum of Contemporary Art, Felix Gonzalez-Torres: Traveling, 24 April - 11 September 1994 (another example exhibited) New York, Fischbach Gallery, Absence, Activism and the Body Politic, 9 June - 28 July 1994 (another example exhibited) New York, Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, 3 March - 10 May 1995 (another example exhibited) Santiago de Compostela, Centro Galego de Arte Contemporánea, Felix Gonzalez-Torres (A Possible Landscape), 12 December 1995 - 3 March 1996 (another example exhibited) Musée d’Art Moderne de la Ville de Paris, Felix Gonzalez-Torres (Girl Friend in a Coma), 11 April - 16 June 1996 (another example exhibited) New York, Greene Naftali Gallery, Broken Home, May - June 1997 (another example exhibited) Hannover, Sprengel Museum; Kunstmuseum St. Gallen; Vienna, Museum Moderner Kunst Stiftung Ludwig, Felix Gonzalez-Torres, 1 June 1997 - 1 November 1998 (another example exhibited) Barcelona, Fundació Joan Miró, Lux / Lumen, 19 June - 7 October 1997 (another example exhibited) Harrisburg, Susquehanna Art Museum, I’m Not Here: Constructing Identity at the Turn of the Century, 2 December 1999 - 24 February 2000 (another example exhibited) St. Gallen, Sammlung Hauser und Wirth, The Oldest Possible Memory, 14 May - 15 October 2000 (another example exhibited) Albuquerque, National Hispanic Cultural Center of New Mexico, La Luz: Contemporary Latino Art in the United States, 21 October 2000 - 27 May 2001 (another example exhibited) Dallas Museum of Art, Gonzalez-Torres/Joseph Beuys, 16 February - 6 May 2001 (another example exhibited) Ann Arbor, University of Michigan Museum of Art, A Matter of Degree: Abstraction in Twentieth Century Art, 10 November 2001 - 27 January 2002 (another example exhibited) Avignon, Collection Lambert, Coolustre, 25 May - 28 September 2003 (another example exhibited) Paris, Galerie nationale du Jeu de Paume, Eblouissement, 23 June - 12 September 2004 (another example exhibited) New York, Lehman Maupin, L'Art Vivre, 15 April - 14 May 2005 (another example exhibited) Waltham, The Rose Art Museum, Brandeis University, Broken Home, 23 January - 13 April 2008 (another example exhibited) Kansas City, Nelson-Atkins Museum of Art, Sparks! The William T. Kemper Collecting Initiative, 3 May - 20 July 2008 (another example exhibited) Clermont-Ferrand, L’Espace d’Art Contemporain La Tôlerie, La Foule (Zéro – Infini): Chapitre 1 (unity - dualité - la meute - la masse), 6 May - 15 July 2008 (another example exhibited) Paris, Passage du Retz; Israel, Petach Tikva Museum of Art, Insomniac Promenades: Dreaming/Sleeping in Contemporary Art, 11 July 2008 - 3 July 2009 (another example exhibited) Clermont-Ferrand, L’Espace d’Art Contemporain La Tôlerie, La Foule (Zéro – Infini): Chapitre 2 (chaos - contrôle), 10 October - 30 November 2008 (another example exhibited) Ann Arbor, University of Michigan Museum of Art, Permanent Collection Installation, 21 December 2009 - 22 January 2013 (another example exhibited) Brussels, Wiels Contemporary Art Centre; Basel, Fondation Beyeler; Frankfurt, Museum für Moderne Kunst, Felix Gonzalez-Torres: Specific Objects without Specific Form, 16 January 2010 - 25 April 2011 (another example exhibited) Mexico City, Museo Universitario Arte Contemporáneo, Somewhere/Nowhere, 27 February - 23 May 2010 (another example exhibited) Art Institute of Chicago, Contemporary Collecting: The Judith Neisser Collection: Minimal and Postminimal Innovation, 13 February - 22 May 2011 (another example exhibited) New York, Pace Gallery, Burning, Bright: A Short History of the Lightbulb, 28 October - 26 November 2011 (another example exhibited) Kunstmuseum Basel; Siegent, Museum für Gegenwartskunst; Lisbon, Culturgest; New York, Artists Space, Tell It to My Heart: Collected by Julie Ault, 2 February 2013 - 23 February 2014 (another example exhibited) Paris, La Galerie des Galeries, In a Sentimental Mood, 28 May - 8 August 2013 (another example exhibited) Cleveland, Museum of Contemporary Art, DIRGE: Reflections on [Life and] Death, 7 March - 8 June 2014 (another example exhibited) Centre Pompidou-Metz, 1984-1999 La Décennie , 24 May 2014 - 2 March 2015 (another example exhibited) Los Angeles, The Museum of Contemporary Art, Pacific Design Center, Tongues Untied, 6 June - 13 September 2015 (another example exhibited) Avignon, Collection Lambert, Patrice Chéreau, un musée imaginaire, 11 July - 11 October 2015 (another example exhibited) Dublin, Irish Museum of Modern Art, What We Call Love: From Surrealism to Now, 12 September 2015 - 14 February 2016 (another example exhibited) Modena, Manifattura Tabacchi, The Mannequin of History: Art after Fabrications of Critique and Culture, 18 September 2015 - 31 January 2016 (another example exhibited) Ann Arbor, University of Michigan Museum of Art, Permanent Collection Installation, September 2015 - 2020 (another example exhibited) Paris, Passage de Retz, Représenter l'Irreprésentable?, 5 December 2015 - 15 January 2016 (another example exhibited) Frankfurt, Museum für Moderne Kunst, An Imagined Museum: Works from the Centre Pompidou, the Tate and the MMK, 24 March - 4 September 2016 (another example exhibited) London, Hauser & Wirth, Felix Gonzalez-Torres, 27 May - 30 July 2016 (another example exhibited) Reading, Artangel, Inside. Contemporary Artists and Writers in Reading Prison, 4 September - 4 December 2016 (another example exhibited) Cleveland Museum of Art, Permanent Collection Installation, 27 February 2017 - Present (another example exhibited) North Adams, Massachusetts Museum of Contemporary Art, The Half-Life of Love, 6 May 2017 - 25 March 2018 (another example exhibited) Geneva, Musée d’art moderne et contemporain, Cady Noland, Laurie Parsons, and Felix Gonzalez-Torres, 31 May - 10 September 2017 (another example exhibited) Los Angeles, Museum of Contemporary Art, Give and Take: Highlighting Recent Acquisitions, 4 March - 3 September 2018 (another example exhibited) Milan, Massimo De Carlo, MCMXXXIV, 8 March - 13 May 2019 (another example exhibited) Montpellier Contemporain, Intimate Distance, 29 June - 29 September 2019 (another example exhibited) Hong Kong, David Zwirner, Singing the Body Electric, 11 July - 10 August 2019 (another example exhibited) New York, Off Paradise, Doubles, 27 February - 27 July 2020 (another example exhibited) Ann Arbor, University of Michigan Museum of Art, Oh, Honey...A Queer Reading of the Collection, 21 August 2021 - 20 February 2022 (another example exhibited)

La tuvo: White Columns, New York Collection of Joseph Kosuth and Cornelia Lauf (acquired from the above in 1990) Christie's, New York, November 16, 2017, lot 830 Acquired at the above sale by the present owner

Expuesta: Geneva, Sous-Sol, Ecole supérieure d'arts visuels, Hyperbate , November 14–December 14, 1990 (another example exhibited) Hannover, Sprengel Museum, Konstruktion Zitat: Kollektive Bilder in der Fotografie , August 29-October 31, 1993 (another example exhibited) Los Angeles, Margo Leavin Gallery, Untitled (Reading Room) , July 8–August 19, 1995 (another example exhibited) London, Serpentine Gallery, Felix Gonzalez-Torres , June 1–July 16, 2000, p. 83 (another example exhibited) New York, White Columns, The Bulletin Board Felix Gonzalez-Torres , February 20–March 24, 2007 (another example exhibited) Basel, Art Basel Unlimited, David Zwirner, A complete set of individual puzzles, 1987–1992 , June 11–15, 2019

La tuvo: Private Collection (gifted by the artist)

La tuvo: Solomon R. Guggenheim Museum, New York Private Collection, New York

Expuesta: New York, El Museo del Barrio, Culture and The People: El Museo del Barrio, 1969-2019 , April 11 - September 29, 2019 (another example exhibited)

La tuvo: Acquired directly from the artist