Amelia Peláez
1896–1968 · CU
Hay 26 obras de este artista con foto en el catálogo de la casa, pero la casa no permite mostrarla fuera de su propio sitio.
Vase with Flowers ↗Still Life ↗Still Life ↗Interior ↗Naturaleza muerta ↗Naturaleza muerta en un interior (also known as Las puertas de La Habana) ↗
- Flores 1930fue y volvió
- 1896 museo The Cuban Museum of Arts and Culture — Amelia Peláez, 1896-1968: A Retrospective, Una Retrospectiva
- 1933 galería Galerie ZAK — Amelia Peláez del Casal
- 1988 Dade Community College — Ramón Cernuda & Nercys Ganem Collection
- 1988 Miami-Dade Community College — Twentieth Century Cuban Art from the Collection of Ramón Cernuda & Nercys Ganem
- 1988 museo Cuban Museum of Arts and Culture — Amelia Peláez: a Retrospective
- 1993 galería Galerie ZAK — Amelia Peláez del Casal
- 1993 Christie's — Christie's, New York, November 23, 1993, lot 59
- s/f Ramón Cernuda and Nercys Ganem collection — Ramón Cernuda and Nercys Ganem collection, Miami
- 2002 Christie's — Latin American Sale
- 2002 Christie's — Christie's, New York, November 21, 2002, lot 79
- 2019 Phillips — 20th C. & Contemporary Art Day Sale, Morning Session
- s/f galería Galerie ZAK — Galerie ZAK, Paris
- s/f Ramón Cernuda and Nercys Ganem — Ramón Cernuda and Nercys Ganem, Miami
- Still Life 1954
- 1977 museo Metropolitan Museum and Art Center — Martínez Cañas Collection
- 1984 Property from a Subsidiary of PepisiCo. — Property from a Subsidiary of PepisiCo., Inc., Sotheby's, New York, 29 November 1984, lot 307.
- 1988 museo Cuban Museum of Art and Culture / Museo Cubano de Arte y Cultura — Amelia Peláez
- 2020 Christie's — Latin American Art
- s/f José Martínez Cañas — José Martínez Cañas, Miami.
- Naturaleza muerta 1949
- 1900 Cuban Art & Identity — 1900-1950
- 1951 museo Musée National D’Art Moderne — Art Cubain Contemporain
- 2016 Diálogos constructivistas en la vanguardia cubana: Amelia Peláez — Loló Soldevila & Zilia Sánchez
- s/f Bruno García collection — Bruno García collection, Miami.
- 2017 Christie's — Latin American Art
- Naturaleza muerta en un interior (also known as Las puertas de La Habana) 1948
- 1982 Property of the Estate of H.R. Hays — Property of the Estate of H.R. Hays, New York; Sotheby's, New York, 10 June 1982 (illustrated in color and on the cover, and acquired directly from the artist in Havana, 1948).
- 2013 museo Pérez Art Museum Miami — Amelia Peláez: The Craft of Modernity
- 2016 Diálogos constructivistas en la vanguardia cubana: Amelia Peláez — Loló Soldevilla & Zilia Sánchez
- 2017 Christie's — Latin American Art
- s/f Cernuda Arte — Cernuda Arte, Coral Gables.
- Piña 1964
- 2004 Christie's — Latin American Sale
- 2004 Christie's — Christie's, New York, November 17, 2004, lot 23
- 2019 Phillips — 20th C. & Contemporary Art Day Sale, Morning Session
- s/f Dolores Smithies — Dolores Smithies, New York
- Mecedora 1962
- 1968 galería Zegrí Gallery — Amelia Peláez: Memorial Exhibition
- s/f Luis Lastra collection — Luis Lastra collection, Washington, D.C.
- s/f galería Zegrí Gallery — Zegrí Gallery, New York.
- 2009 Christie's — Latin American Sale
- Florero 1960
- 1968 Amelia Pelaez — Retrospectiva
- 2002 Important Cuban Artworks — Volume One
- s/f Cernuda Arte — Cernuda Arte, Coral Gables.
- 2004 Christie's — Latin American Sale
- Un jardín 1945
- 1957 Pelaez — Tamayo
- s/f Dr. Inocencio Palacios — Dr. Inocencio Palacios, Caracas.
- s/f galería CDS Gallery — CDS Gallery, New York.
- 2007 Christie's — Latin American Sale Day Session
- Latinoamérica_al sur del Sur — Malba · 2017
- Verboamérica — Malba · 2016
- Caminos_de la_vanguardia_cubana — Malba · 2010
Historial de subastas(42)
| Fecha | Obra | Medio | Casa | Salida / estimado (USD) |
|---|---|---|---|---|
| 2024-12-12 | Untitled ✓ vendida en US$ 762 La tuvo: John Githens, New York (gifted by the artist)
Thence by descent to the present owner | escultura · 3×14 cm | Phillips | US$ 2,000 – US$ 4,000 |
| 2024-03-12 | Vase with Flowers · 1945 ✓ vendida en US$ 94,500 La tuvo: Rodolfo and Antonia Ruibal collection, New York and later, Riverside, California.
Rodolfo Jr. and Irene Ruibal collection, Riverside, California (by descent from the above).
By descent from the above to the present owner. | papel · 72×72.4 cm | Christie's | US$ 60,000 – US$ 80,000 |
| 2023-03-09 | Still Life · 1964 ✗ no se vendió La tuvo: Private collection, Miami.
Anon. sale; Christie's, New York, 18 November 2003, lot 45.
Suzanne Figi Collection, La Jolla.
By descent from the above to the present owner. | pintura · 75.9×52.7 cm | Christie's | US$ 120,000 – US$ 180,000 |
| 2020-07-30 | Still Life · 1954 ✓ vendida en US$ 112,500 La tuvo: José Martínez Cañas, Miami.
Property from a Subsidiary of PepisiCo., Inc., Sotheby's, New York, 29 November 1984, lot 307.
Acquired from the above sale by the present owner. Expuesta: Miami, Metropolitan Museum and Art Center, Martínez Cañas Collection , 1977.
Miami, Cuban Museum of Art and Culture / Museo Cubano de Arte y Cultura, Amelia Peláez , 15 July-15 August 1988, no. 37. | papel · 77.5×102 cm | Christie's | US$ 50,000 – US$ 70,000 |
| 2019-11-13 | Piña ✓ vendida La tuvo: Dolores Smithies, New York
Christie's, New York, November 17, 2004, lot 23
Acquired at the above sale by the present owner | pintura · 92×56.5 cm | Phillips | US$ 180,000 – US$ 250,000 |
| 2019-11-13 | Flores La tuvo: Galerie ZAK, Paris
Ramón Cernuda and Nercys Ganem, Miami
Christie's, New York, November 23, 1993, lot 59
Private Collection
Christie's, New York, November 21, 2002, lot 79
Acquired at the above sale by the present owner Expuesta: Paris, Galerie ZAK, Amelia Peláez del Casal, April 28 - May 12, 1933
Miami, InterAmerican Art Gallery, Miami-Dade Community College, Twentieth Century Cuban Art from the Collection of Ramón Cernuda & Nercys Ganem , February 5 - March 30, 1988, no. 32, p. 28
Miami, The Cuban Museum of Arts and Culture, Amelia Peláez, 1896-1968: A Retrospective, Una Retrospectiva , July 15 - August 15, 1988, no. 7, p. 106 (illustrated, p. 31) | pintura · 80×57.2 cm | Phillips | US$ 60,000 – US$ 80,000 |
| 2018-05-24 | Interior · 1958 ✓ vendida en US$ 62,500 La tuvo: Sara Faes Cortina collection, Havana.
Acquired from the above by the present owner. | pintura · 56×73.7 cm | Christie's | US$ 40,000 – US$ 60,000 |
| 2017-11-22 | Naturaleza muerta · 1949 ✓ vendida en US$ 348,500 La tuvo: Anon. sale, Sotheby's New York, 22 November 1988, lot 166.
Bruno García collection, Miami.
Acquired from the above by the present owner. Expuesta: Paris, Musée National D’Art Moderne, Art Cubain Contemporain , February - March, 1951, p. 9, no. 39 (illustrated).
Vero Beach, Vero Beach Museum of Art, Cuban Art & Identity, 1900-1950 , 19 October 2013-2 February 2014, p. 41, no. 40 (illustrated in color).
New York, Galerie Lelong, Diálogos constructivistas en la vanguardia cubana: Amelia Peláez, Loló Soldevila & Zilia Sánchez , 28 April–25 June 2016, p. 14 (illustrated in color). | papel · 97×66 cm | Christie's | US$ 300,000 – US$ 400,000 |
| 2017-11-21 | Untitled ✓ vendida en US$ 8,125 La tuvo: Galería La Acacia, Havana
Acquired from the above by the present owner in 1995 | pintura · 45.1×30.2 cm | Phillips | US$ 8,000 – US$ 12,000 |
| 2017-11-21 | Untitled ✓ vendida en US$ 8,750 La tuvo: Galería La Acacia, Havana
Acquired from the above by the present owner in 1995 | papel · 45.1×30.2 cm | Phillips | US$ 10,000 – US$ 15,000 |
| 2017-05-25 | Naturaleza muerta en un interior (also known as Las puertas de La Habana) · 1948 ✓ vendida en US$ 475,500 La tuvo: Property of the Estate of H.R. Hays, New York; Sotheby's, New York, 10 June 1982 (illustrated in color and on the cover, and acquired directly from the artist in Havana, 1948).
Cernuda Arte, Coral Gables.
Acquired from the above by the present owner. Expuesta: Miami, Pérez Art Museum Miami, Amelia Peláez: The Craft of Modernity , 4 December 2013 – 23 February 2014, pp. 94-95 (illustrated in color).
New York, Galerie Lelong, Diálogos constructivistas en la vanguardia cubana: Amelia Peláez, Loló Soldevilla & Zilia Sánchez , 28 April- 25 June 2016, p. 33 (illustrated in color). | papel · 76.8×96.5 cm | Christie's | US$ 450,000 – US$ 650,000 |
| 2017-05-25 | Jarrón · 1960 ✓ vendida en US$ 21,250 La tuvo: José Almarales Suárez collection, Havana.
Acquired from the above by the present owner in 2008. | papel · 54.5×39.5 cm | Christie's | US$ 15,000 – US$ 20,000 |
| 2016-11-23 | Mujer con abanico · 1931 ✓ vendida en US$ 47,500 La tuvo: Zborosky Gallery, New York.
Private collection, New York. Expuesta: San Francisco, The San Francisco Museum of Art, Amelia Peláez , 1942. | pintura · 69.2×58.4 cm | Christie's | US$ 50,000 – US$ 70,000 |
| 2016-05-23 | Pescados grises · 1931 ✓ vendida en US$ 212,500 La tuvo: Acquired directly from the artist
Collection of Luis Amado Blanco, Havana
Private Collection, Los Angeles Expuesta: Havana, Museo Nacional de Bellas Artes, Amelia Peláez - Exposición Retrospectiva , November 14, 1968 | pintura · 97.8×129.5 cm | Phillips | US$ 180,000 – US$ 250,000 |
| 2015-11-21 | Naturaleza muerta · 1947 ✓ vendida en US$ 75,000 Expuesta: Miami, Cuban Museum of Arts and Culture, Amelia Peláez, 1896-1968: A Retrospective, Una Retrospectiva , 15 July-15 August, 1988, no. 31. This exhibition also travelled to Washington, D.C., Museum of Modern Art of Latin America, Organization of American States, 14 September-29 October 1988, included in checklist under no. 32. | papel · 55×75 cm | Christie's | US$ 40,000 – US$ 60,000 |
| 2015-05-28 | Untitled · 1954 ✓ vendida en US$ 11,250 La tuvo: Roniel Fernández, Havana.
Acquired from the above (June 2012). | papel · 29.5×45.1 cm | Christie's | US$ 10,000 – US$ 15,000 |
| 2014-11-25 | Untitled (Olimpia) · 1955 ✓ vendida en US$ 47,500 La tuvo: Acquired directly from the artist. | papel · 47×61 cm | Christie's | US$ 30,000 – US$ 40,000 |
| 2014-11-25 | Untitled · 1957 ✓ vendida en US$ 8,125 La tuvo: Acquired directly from the artist. | papel · 35×27 cm | Christie's | US$ 8,000 – US$ 12,000 |
| 2013-11-21 | Untitled · 1951 ✓ vendida en US$ 40,000 La tuvo: Collection of Rodolfo Fernández, Havana Private Collection | papel · 94×76.2 cm | Phillips | US$ 22,000 – US$ 28,000 |
| 2013-05-23 | Las Hermanas · 1943 ✓ vendida en US$ 569,000 La tuvo: Galería del Prado, Havana Collection of Ilka Chase, New York Private Collection, Chicago Expuesta: New York, Museum of Modern Art, Modern Cuban Painters , March 16- May 30, 1944 Miami, The Cuban Museum of Arts and Culture, Amelia Peláez (1896-1968): A Retrospective , July 15- August 15, 1988 | papel · 94.6×74.9 cm | Phillips | US$ 250,000 – US$ 350,000 |
| 2013-05-23 | Untitled · 1966 ✓ vendida en US$ 23,750 La tuvo: Ganitsky Guberek Collection, Colombia
Acquired from the above by the present owner Expuesta: Bogotá, Banco de la República, Biblioteca Luis Ángel Arango, Colección Ganitsky Guberek 1960-1990: Tres Décadas de Arte Moderno , 2010 | papel · 74.9×54.6 cm | Phillips | US$ 18,000 – US$ 22,000 |
| 2011-05-27 | Untitled · 1947 ✓ vendida en US$ 242,500 La tuvo: Acquired from the artist.
José Gómez-Sicre collection, Washington D.C.
Gift from the above to Dorothy Friestedt on the occasion of her wedding to Oscar Altamirano (1951) .
By descent to the present owner. | papel · 79.7×100 cm | Christie's | US$ 250,000 – US$ 350,000 |
| 2011-05-27 | Untitled · 1955 ✓ vendida en US$ 15,000 La tuvo: Gift from the artist to Guido Llinás, Paris.
Acquired from the above. | papel · 29.5×41.6 cm | Christie's | US$ 12,000 – US$ 15,000 |
| 2009-11-18 | Untitled (Reja y melón) · 1964 ✓ vendida en US$ 17,500 La tuvo: Private collection, Miami. | papel · 73×58 cm | Christie's | US$ 18,000 – US$ 22,000 |
| 2009-05-29 | Mecedora · 1962 ✓ vendida en US$ 15,000 La tuvo: Luis Lastra collection, Washington, D.C.
Zegrí Gallery, New York.
Private collection, Miami Beach. Expuesta: New York, Zegrí Gallery, Amelia Peláez: Memorial Exhibition , June 25- July 6, 1968, no. 10. | papel · 96.5×63.5 cm | Christie's | US$ 15,000 – US$ 20,000 |
| 2007-11-20 | Un jardín · 1945 ✓ vendida en US$ 457,000 La tuvo: Dr. Inocencio Palacios, Caracas.
CDS Gallery, New York.
Private collection, New York. Expuesta: Washington, D.C., Pan American Union, Four Artists of the Americas: Burle-Marx, Caldr, Pelaez, Tamayo , 1957. | papel · 104.1×79.4 cm | Christie's | US$ 400,000 – US$ 500,000 |
| 2006-11-21 | Mesa en Interior · 1943 ✓ vendida en US$ 240,000 La tuvo: Acquired from the artist.
Henry Petter III collection, New York.
John Nicholson, New York.
Cernuda Arte, Miami.
Private collection, Miami. | pintura · 114.5×86.5 cm | Christie's | US$ 150,000 – US$ 200,000 |
| 2005-11-15 | Untitled · 1965 ✓ vendida en US$ 7,200 La tuvo: Acquired from the artist. | papel · 75×54.5 cm | Christie's | US$ 8,000 – US$ 10,000 |
| 2005-11-15 | Untitled · 1965 ✓ vendida en US$ 6,600 La tuvo: Acquired from the artist. | papel · 54.7×75 cm | Christie's | US$ 8,000 – US$ 10,000 |
| 2004-11-17 | Florero · 1960 ✓ vendida en US$ 59,750 La tuvo: Anon. sale, Gary Nader, Miami, 7th Latin American Art Auction , January 23, 2000, lot 40 (illustrated).
Cernuda Arte, Coral Gables. Expuesta: La Havana, Museo Nacional de Bellas Artes, Amelia Pelaez, Retrospectiva , November 1968, n. 134.
Coral Gables, Cernuda Arte, Important Cuban Artworks, Volume One , December 2002, p. 7 (illustrated). | pintura · 81.3×66 cm | Christie's | US$ 50,000 – US$ 60,000 |
| 2004-11-17 | Piña · 1964 ✓ vendida en US$ 197,900 | pintura · 92×56.7 cm | Christie's | US$ 120,000 – US$ 160,000 |
| 2004-06-10 | Vaso con flores ✓ vendida La tuvo: Commissioné auprès de l'artiste par le propriétaire actuel | otro · 152.5×49.5 cm | Christie's | — |
| 2003-11-18 | Vitral · 1964 ✓ vendida en US$ 130,700 | pintura · 75.5×52.7 cm | Christie's | US$ 120,000 – US$ 140,000 |
| 2003-05-28 | Sin título · 1950 ✓ vendida en US$ 71,700 | pintura · 36.2×30.2 cm | Christie's | US$ 40,000 – US$ 60,000 |
| 2002-11-20 | Flores · 1930 ✓ vendida en US$ 57,360 La tuvo: Ramón Cernuda and Nercys Ganem collection, Miami
Anon. sale, Christie's New York, Important Latin American Paintings, Drawings and Sculpture , Nov. 23, 1993, lot 59 (illustrated in color) Expuesta: Paris, Galerie ZAK, Amelia Peláez del Casal , April 1993, n.p., n.n.
Miami, Dade Community College, Ramón Cernuda & Nercys Ganem Collection , Feb. 1988, p. 28, n. 32 (illustrated)
Miami, Cuban Museum of Arts and Culture, Amelia Peláez: a Retrospective , July 1988, p. 31, n. 7 (illustrated). This exhibition later traveled to Washington, D.C., Museum of Modern Art of Latin America, Oct. 1988. | pintura · 80×57.2 cm | Christie's | US$ 60,000 – US$ 80,000 |
| 2000-11-21 | Centro de mesa ✓ vendida en US$ 23,500 La tuvo: Private collection, Mexico City | papel · 56.5×76.9 cm | Christie's | US$ 25,000 – US$ 35,000 |
| 2000-06-01 | Bodegón con flores · 1964 ✓ vendida en US$ 116,000 La tuvo: Acquired from the artist by the present owner | pintura · 117×86.4 cm | Christie's | US$ 100,000 – US$ 150,000 |
| 1999-06-02 | Naturaleza Muerta · 1932 ✓ vendida en US$ 79,500 La tuvo: Anon. sale, Sotheby's New York, Latin American Art , May, 1992, lot 192 (illustrated) Expuesta: Miami, Cuban Museum of Art and Culture; This exhibition later traveled to: Washington, D.C., Museum of Modern Art of the Americas, Amelia Peláez, A Retrospective , July-Nov., 1988, p. 10 | pintura · 59.5×63 cm | Christie's | US$ 60,000 – US$ 80,000 |
| 1999-06-02 | Balcón con flores · 1964 ✓ vendida en US$ 23,000 La tuvo: Cernuda Art Consultants, Inc, Miami | papel · 73.3×58 cm | Christie's | US$ 25,000 – US$ 30,000 |
| 1999-06-02 | Naturaleza muerta con frutas · 1966 ✓ vendida en US$ 6,900 La tuvo: Acquired from the artist
Private collection, Miami
Anon. sale, Christie's New York, Latin American Paintings, Drawings and Sculpture, May 17, 1987, lot 128 (illustrated)
Private collection, Caracas | papel · 87×59.4 cm | Christie's | US$ 6,000 – US$ 8,000 |
| 1998-05-28 | Perfil de Mujer · 1953 ✓ vendida en US$ 123,500 | papel · 101.6×76.2 cm | Christie's | US$ 120,000 – US$ 140,000 |
| 1998-05-28 | Rostro · 1930 ✓ vendida en US$ 3,450 La tuvo: Guido Adriansens, Atlanta
Private collection, Miami | papel · 43.1×27.9 cm | Christie's | US$ 5,000 – US$ 6,000 |
El resultado (a cuánto se vendió) figura en verde solo cuando la casa lo publica — la mayoría de las casas argentinas nunca lo hace. Un rango es un estimado de mercado; un valor único con “base” es el precio de salida del remate. Conversión a USD al tipo de cambio BCE de la fecha.
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